Visualising the dynamics of character networks

Détails

Ressource 1Télécharger: BIB_FFC5E66DEEC3.P001.pdf (622.91 [Ko])
Etat: Public
Version: Final published version
ID Serval
serval:BIB_FFC5E66DEEC3
Type
Actes de conférence (partie): contribution originale à la littérature scientifique, publiée à l'occasion de conférences scientifiques, dans un ouvrage de compte-rendu (proceedings), ou dans l'édition spéciale d'un journal reconnu (conference proceedings).
Collection
Publications
Institution
Titre
Visualising the dynamics of character networks
Titre de la conférence
Digital Humanities 2016
Auteur(s)
Xanthos Aris, Pante Isaac, Rochat Yannick, Grandjean Martin
Statut éditorial
Publié
Date de publication
2016
Peer-reviewed
Oui
Pages
417-419
Langue
anglais
Résumé
The character network of a given narrative (novel, play, film, graphic novel, etc.) models the structure formed by the relations in its character-system (Woloch, 2003). A relation between two characters symbolises their co-presence in parts of the narrative; the entire set of relations between all characters constitutes a formal model of this character-system and lends itself to display and analysis. For example, Moretti (2011) used network modelling to compare the importance of protagonists from Shakespeare's Hamlet, while Trilcke et al. (2015) created character networks for 465 German plays and used them to initiate a wider study of German Theatre.
Most applications of character network analysis have disregarded temporality, possibly because of its representational complexity. Consequently, all relations in the system are considered as happening at the same time: one cannot distinguish if a given edge symbolises a relation at the start, at the end, or in several parts of the work under study. Furthermore, because temporality is not being accounted for, there is usually no way of relating the network visualisation with the unfolding of the source narrative. While prototypes such as those discussed in Roberts-Smith et al. (2013) offer sophisticate ways of dynamically visualising the text of theatre plays, they do so in a way that is unrelated to character network modelling.
Based on these observations, we set out to develop an open source web application which models the character-system of theatre plays as a sequence of network states synchronised with the actual narrative content (https://github.com/maladesimaginaires/intnetviz). This paper proposes a high-level overview of our application , successively focusing on the underlying structure extraction process, the conception of the graphical interface, and the range of uses envisioned for it. In the conclusion, we evoke the ways in which we intend to develop it and reflect on the potential significance of this development at a more epistemological level.
Mots-clé
digital humanities, social network analysis, text mining, theatre, literature
Création de la notice
29/08/2016 10:18
Dernière modification de la notice
20/08/2019 17:30
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