Lettura del canto X dell'«Orlando furioso»

Détails

Ressource 1Télécharger: BIB_33949C81BECE.P001.pdf (414.37 [Ko])
Etat: Public
Version: Final published version
ID Serval
serval:BIB_33949C81BECE
Type
Article: article d'un périodique ou d'un magazine.
Collection
Publications
Institution
Titre
Lettura del canto X dell'«Orlando furioso»
Périodique
Giornale storico della letteratura italiana
Auteur(s)
Albonico S.
ISSN
0017-0496
Statut éditorial
Publié
Date de publication
2012
Peer-reviewed
Oui
Numéro
189
Pages
1-22
Langue
italien
Résumé
Despite the difficulty of examining isolated cantos in Orlando Furioso and thus separating the text from the overall narrative structure, there are features present in Canto X which would encourage just such an approach. In addition to the borrowings from the Latin tradition to be found in the episode of Olimpia and the allegorical machine at work in the story of Ruggiero and Alcina, the canto evinces a consonance with the courtier spirit which was particularly active in the courts of Northern Italy and which went beyond a mere attention to heraldry and emblems. There is indeed a continuity with the figurative arts flourishing in Ferrara at the time, which saw Mantegna's antiquarian and sculpturesque works triumphed over by Titian's mythological paintings. So too with Ariosto, who after his initial "classicist" phase came to be inspired by Titian's work in a move that openly affirmed the originality and strength of his poetry.
Mots-clé
Ariosto, Orlando furioso, Ferrara, Dosso Dossi, Tiziano
Création de la notice
13/05/2014 19:17
Dernière modification de la notice
20/08/2019 14:19
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